Showing posts with label patent. Show all posts
Showing posts with label patent. Show all posts

Saturday, September 18, 2010

Oliver Evans, America's First Great Inventor

People seem to naturally resist adopting a new technology even in the face of evidence that it will improve their lives. We stick with an old and inefficient technology when there is clearly a better way.  Given this natural human tendency, it is all the more remarkable that we have people who love to invent.  In fact, there have always been inventors.  In spite of the certain knowledge that getting people to change is a Herculean task, inventors not only persist, they seem to proliferate.

My list of positive attributes of an inventor would include creativity, persistence, and optimism.  Inventors have an extraordinary faith in their ideas and will endure years of neglect and abuse in an attempt to see that their ideas prosper. As a result of the rocky road that inventors must travel, they also tend to be defensive, prickly, and maybe even a little paranoid.  In short, inventors can be a real pain in the posterior.  When they are not enthusiastically pestering people to invest in their idea, they  are usually complaining about the stupidity of those who won't.

Oliver Evans was one of America's earliest inventors.  He is also is a great example of the inventor archetype. Evans was born a few miles west of Wilmington, Delaware in 1755. He was apprenticed as a wheelwright and wagon maker but he quickly gravitated towards ideas related to flour milling. In 1790, the first year of the newly-opened U.S. Patent Office, Evans received the third patent ever issued for his fully-automated flour mill.  His invention was a significant advance in the way flour mills had been constructed.  His new design not only saved a tremendous amount of the hard labor of lifting and carrying the intermediates of the flour milling process from place to place inside the mill, Evans' invention also improved the overall cleanliness of the finished flour.  Previously, millers in their work would walk across the ground flour that had been spread out on the floor to cool and dry, transferring dirt from their shoes into the flour.  Sometimes, the entire batch had to thrown out because it was too dirty.  Evans' automated mill spread the flour out evenly without the need for any manual operations and hence it remained clean.

Evans' Automated Mill

Despite all these advantages, millers at first saw no reason they should invest in his new-fangled milling equipment.  The old ways were tried-and-true, reliable, a real craft that demanded the miller's best efforts.  Milling couldn't simply be replaced with automated equipment - or so said the millers vested in the old ways of doing things.

Undaunted, Oliver Evans built his own automated flour mill and word started to get around that maybe this peculiar young man (inventors are often seen as a little odd) had something after all.  It wasn't Evans who convinced them to change.  It was a few of what today we would call "early adopters" who were willing to embrace Evans' new milling methods. Their success did more to convince their conservative brethren than all the evangelizing by the inventor.  Every inventor is made or broken by the early adopters.

When more millers did decide to try Evans revolutionary new method, they did what people have always done - they declared that the inventions were so obvious that they felt no moral obligation whatsoever to pay Evans his license fees for his patent.  They simply pirated the inventions.  Not everyone was so dishonest, of course.  George Washington paid Evans for a license to use his inventions in Washington's own mill on the Mt. Vernon estate.  A bit later, Thomas Jefferson did as well.

Evans' patent lapsed in 1804 after its 14-year patent life. Due to all the pirating of his invention, Evans never felt he was fairly compensated for his invention.  In a rare bit of legislative compassion, the U.S. House of Representatives in 1808 gave Evans a 14-year extension of his patent to allow him to again try to collect his patent license fees.  He didn't live to see the end of the patent extension. By the time of his death, he had become completely jaded on the legal protections offered by patents and railed against their usefulness as an incentive for inventors.  Evans wrote his own epitaph which perfectly expresses both the excitement and the frustration of the inventor.

This stone and sod, combined to hold
A wreck'd volcanic engine; old
Which steady wrought on, sixty years
then faulter'd and did need
repairs...
Here is the end of Oliver, he died
____day of _____
Where has the active spirit flown
Who formed opinions, of its own?
Did disregard the laughs of fools
The Claims of things, the pomp
of schools...
As he wished others do to him
Just so, he strove to do to them
in this straight course, his Bark
did steer
And never felt a pang of fear.

Evans' Powered Dredge
Painting in U.S. Capitol
Oliver Evans died on April 15, 1819 but in his many productive years, Evans would leave a legacy of inventions.  He conceived (and patented) America's first powered land vehicle in 1787.  He foresaw the day when railroads would travel at great speed, carrying passengers between cities, even traveling safely at night.  In 1804, he patented the high-pressure steam engine which would open the door to river navigation on the Ohio and Mississippi Rivers.  He built a steam-powered dredge he named the Oruktur Amphibolos (amphibious digger) for the City of Philadelphia. He was the first to invent a practical refrigerator based on cooling from the expansion of ether.  The breadth of his creativity was astounding.

Evans' High-Pressure
Steam Engine
Evans was a self-taught man whose book, The Young Mill-wright and Miller's Guide, on the design and construction of water-powered mills would remain in print through fifteen editions (up to the Civil War). He also published a well-received guide to the design of high-pressure steam engines.

It is intriguing to speculate if there is such a thing as a born inventor.  The more I read, the more I believe that invention is almost like a drug: it seizes receptive people with its creative power and fills their brains with something that is akin to an addicting drive.  Once experienced, the inventor seems to have little choice but to drive forward to either success or exhaustion.

Most of us (myself included) have never experienced the "inventor's high".  Probably the closest we come to it is when we think of a clever way to solve some problem at work or school.  But this is not invention.  These simple problem-solvers don't contain the power to change the world.  True invention can be a dangerous substance.  I would guess that some future inventors would opt out if they knew what the path before them held.  We're all the better that they can't see what's ahead.  They're the better for doing it.


Further Reading: The Genius of Oliver Evans, Joseph Gies, American Heritage Invention and Technology Magazine, Fall 1990.

Video of George Washington's Flour Mill which licensed Evans' technology.



Wednesday, April 21, 2010

Food, Inc. - We Are How We Eat

I had a chance tonight to watch Robert Kenner's documentary, Food, Inc., on the PBS series, POV.  If you haven't seen it, I would highly recommend the film as a sobering look at the industrialization of the food we eat.  It touches on many issues that resonate with what I write about in this blog, including the effects of industrialization, patent issues, innovation, and an open society.  The film was nominated in the Best Documentary category for the 2010 Academy Awards.

One of the themes of the film had to do with Monsanto's patents on soybean seeds which were genetically modified to resist Monsanto's own herbicide, Roundup.  This means that soybean fields can be sprayed with Roundup and everything but the soybeans will be wiped out.  But, Monsanto insists that farmers who wish to use this seed have to re-buy their seed stock each year from Mansanto.  If they try to reuse seed that comes from last year's crop, Monsanto will sue them for patent infringement and even blacklist the farmers so they cannot buy seed.  Monsanto has a team of around eighty private investigators that roam the countryside looking for growers who might be reusing their seed and then strong-arming them into signing agreements that are favorable to Monsanto.  This is the case even if pollen from an adjacent field where another farmer has planted Monsanto seeds cross-pollinates his neighbor's field that was not grown from Monsanto seeds.  Monsanto can test the soybean plant and determine if it contains their patented gene.  If it does, all hell breaks loose.

I am a supporter of a strong intellectual property system to encourage innovation, but the Monsanto case seems to be a situation where the patent owner has too much power.  The way these cases are being identified and handled could easily make someone who is paranoid believe that industry and government are working hand-in-hand for the benefit of  the Monsanto's profit and not for the greater good of society.  Not surprisingly, Monsanto (like other large agribusinesses) declined to be interviewed for the film.  I can't say I am surprised.

Friday, February 5, 2010

The Book Wheel and the Origin of Technology Books

I love books.  I have piles of them sitting on my desk and in my family room in various stages of being read.  I came across the Book Wheel and thought how cool it would be to have one.  As real as it looks, the Book Wheel was never built.  It was a "paper invention" of the Italian military engineer, Agostino Ramelli (1531 - 1600).  The illustration was published in 1588 in a book entitled, The Various and Ingenious Machines of Agostino Ramelli.  
The book belongs to a genre called Theater of Machines.  These late Renaissance books were some of the first printed books with detailed technical illustrations.  The term Theater of Machines comes from the first book of this type published in 1571 or 1572 by Jacques Besson (1540 - 1573), a French mathematician and failed clergyman. His book was entitled Theatrum Instrumentorium et Machinarum (Theater of Instruments and Machines, hence the name of the genre).  The Smithsonian has a copy of both Besson's and Ramelli's book in their Dibner Library.  You can flip the pages of the books virtually using the hotlinks.

Besson started something big with his Theatrum Instrumentorium.   These Theater books were showpieces that were designed to impress the reader with the technical sophistication of the author.  Almost all of the illustrations are fanciful inventions that were never built - and might not even have worked.  But for the first time they provided clear illustrations of mechanisms, gears, and other mechanical devices that were later incorporated into truly useful machines.

Before the Renaissance, almost all technical work was done by craftsman who passed their knowledge down orally from master to apprentice. Most of these skilled craftsman were illiterate or at best, sub-literate.  Moreover, the skills they taught were often quite literally "trade secret", the means by which they protected their business.  There was no other practical means of legal protection of intellectual ideas.
Everyone knows that Leonardo da Vinci (1452 - 1519) kept extensive notebooks of his ideas for machines.  But Leonardo kept his notes secret.  He even wrote in a code (he taught himself to write in the mirror image of script) that was only intelligible when viewed in a mirror.  He did not disclose these works during his lifetime.  Another Renaissance Man, Fillippo Brunelleschi (1377 - 1446), who built the dome on the cathedral in Florence, deliberately left no records at all of how he achieved his engineering masterpiece.

The Theater of Machine books were very well received.  But books like these were rarely produced before the advent of moveable type printing in the mid-1400's.  They also needed the invention of linear perspective drawing (another Brunelleschi invention of around 1425) and the availability of copper engraving plates around 1500.  The copper engravings showed much more detail than previous woodcuts.

In the 1600's, there was a veritable explosion of technology books.  Many were plagiarisms of the Theater books and other texts but the result was the same:  technical knowledge began to diffuse to other countries and other craftsman to be incorporated into new machines.  Drawings became ever-more refined with details describing dimensions, tolerances, materials, and processes for fabrication.

In 1790, when patents finally emerged as a means of protecting inventions in America, the Patent Office required a drawing, a written description, and a working model.  The latter was because drawings still did not convey the essence of how mechanical details might work.  The model requirement was dropped in 1880, partly because drawings had improved but mostly because the Patent Office ran out of room to store the models.

What put me on to all of this was an entry in a book I am reading entitled, Engines of Change: The American Industrial Revolution 1790 - 1860, by Brooke Hindle and Steven Lubar (published by the Smithsonian in 1986). Hindle and Lubar described the Theater of Machines books which led me (via Google) to a wonderful blog named BiblioOdyssey which focuses on illustrations from books of all ages.  This blog is well worth a visit for the diversity of books and illustrations that are presented.

Now, if I just had my Book Wheel...

Wednesday, January 6, 2010

Miller and Whitney: Early Innovation

"An invention can be so valuable as to be worthless to the inventor."
- Eli Whitney


Every child knows (or maybe every kid used to know) that Eli Whitney (1765 - 1825) invented the cotton gin.  Like most stories of the Hero Inventor, this one is a much-distilled and over-simplified version of the truth.  Cotton gins had been around for a long time before Eli Whitney came along. These earlier gins squeezed cotton between rollers and the friction pulled the seed from the cotton fibers.  The roller gins did a good job on long-staple cotton but there were a couple of limitations.  First, long-staple cotton only grew in the rich soil found near the coast, and secondly, while the roller gins worked, they were slow and favored good fiber over production output.

Eli Whitney was a Yale-educated son of a Connecticut farmer.  He seems to have been quite mechanically inclined from a young age.  After Whitney graduated from Yale, the president of the college, Ezra Stiles, arranged for Whitney to take up a tutoring position in the South.  Stiles put him in touch with another young Yale man, Phineas Miller, who had graduated a few years earlier.  Stiles had previously arranged for Miller to be a tutor in the South at the plantation of the Revolutionary War General, Nathaniel Green.  The general had died around this same time and Miller became not only the tutor to Green's five children but also the plantation manager for Green's widow, Catherine Green.


Whitney traveled with Miller and Mrs. Green from New York City to Savannah and stayed with them for several months.  The story goes that once there, Whitney turned down the tutoring job because of a dispute over the pay and stayed on at the plantation to invent his cotton gin. The exact order of events was deliberately obscured by Whitney and his new business parter, Phineas Miller, in order to facilitate getting a patent and to get a head start on manufacturing machines.  The partnership that was formed was always known as Miller and Whitney (not the other way around).  Once again, we see the indispensable role of the entrepreneur (Miller in this case) in moving an invention towards the market.  Miller not only had more business savvy, he had the deep pockets of Catherine Green's money.  Miller had married her at about this same time.

Miller conceived of a business plan in which their company would manufacture the gins in Connecticut and build service locations throughout the South where farmers would bring raw cotton for ginning.  The ginning mills would also have cotton seed presses to capture this source of revenue as well.  The company would be paid for their services, not in cash (which was very scarce), but by keeping one third of the ginned cotton output.  It seemed like such a great idea but like most great ideas, there were problems.

First, while Whitney's cotton gin did a good job of stripping out the seeds, it left the cotton fibers entangled in little knots called neps which created problems for the subsequent spinning operations to make cotton thread.  Spinning companies in England complained bitterly about the poor quality of the fiber from Whitney's gins.  The second problem was that Whitney's gin was elegantly simple and hence easy to pirate and there was a strong incentive to do so because of the high output of the gin. Many Southerners made copies or improved on Whitney's gin, ignoring Whitney's patent of 1793.  Miller and Whitney fought back in over 60 lawsuits but the number of infringers and the bias of the Southern courts towards helping local plantation owners proved to be too costly to continue.  While they lost most of the cases, Miller and Whitney were eventually awarded some compensation by the legislatures of the states of North and South Carolina (Georgia never did recognize their claims).

Whitney's gin galvanized local mechanics to come up with their own ideas on how to improve his design.  In this way, it was a tremendous spur to Southern innovation. The most common approach was what was called the saw gin in which the individual wire teeth of Whitney's gin were replaced by teeth mounted on a circular saw blade.  Eventually, the designs were improved to the point where the problems with fiber neps were reduced to an acceptable level.  Cotton production exploded because the short staple, green-seed cotton could be grown in much poorer soil conditions in the upland South. With the expansion in cotton production came a massive increase in the number of slaves to work the land.


What became of Miller and Whitney?  Miller died in 1803 having poured most of his money (or rather Catherine Green's money) into the venture. He never recovered his investment.  Whitney, penniless from his cotton gin venture, turned his back on the South and in 1798 went into the business of manufacturing firearms for the U.S. government at a factory in New Haven, Connecticut.  He didn't do as well financially as he had hoped with his new business but he did cement a name for himself as having had a crucial role in the development of manufacturing using interchangeable parts.

Whitney would never have been remembered for the cotton gin had it not been for the motivation and resources of Phineas Miller.  I find this interesting because in most cases in our culture it is the entrepreneur who gets the credit for an inventor's ideas.  Perhaps Miller would have been the one remembered had the company of Miller and Whitney been financially successful.  When it failed and Miller died, Whitney lived on until 1825 to continue to remind people of his patent and his inventions.  Miller was to become only a minor footnote in Whitney's later retelling of the story.

It helps to be the one to write the history of a venture.  You can give yourself all the credit you think you deserve. But I, for one, think that Phineas Miller ought to be up there as the Hero Entrepreneur as much as Eli Whitney was the Hero Inventor.  Invention is a necessary but not sufficient requirement for innovation.  That takes money, business savvy, and often more than a little good fortune.

Friday, February 20, 2009

The Idea For the Steamboat


John Fitch is not a name that immediately springs to mind if asked to name a great American Inventor. In fact, he could reasonably claim to have invented the steamboat decades ahead of Robert Fulton. If you visit the U.S. Capitol you will find a painting of John Fitch decorating one of the arches of that building. In fairness, Fulton never claimed to have invented the steamboat. But he and his partner, Robert Livingston, made it the first economically successful steamboat company by operating the North River steamboat (later called the Claremont) on the Hudson River between New York and Albany.

John Fitch was the complete opposite of Fulton in almost every way. Fulton was a learned man, a successful artist turned entrepreneur. Fitch was poorly educated, a sometime-clockmaker, button maker, and surveyor. But they shared a vision of how a successful steamboat could forever change commerce by allowing water navigation that was freed from the constraints of either currents or winds.

I am interested in Fitch because I am interested in how inventors and innovators think. How do they come up with their ideas? Is there anything in common between these influential creators that we can apply to today’s problems? Are these people somehow gifted with insights beyond the abilities of the rest of us? If we understood how the “Aha’s!” occurred, maybe we could learn how to be more creative or maybe even teach creativity.

John Fitch was born in 1743 and grew up in Connecticut, the fifth child of six in a poor, religiously-strict family. He went to school until he was ten after which his father pulled him out to work on his farm. He was a very bright child and devoured whatever books he could get his hands on. He taught himself advanced math and geography from books he read outside of school. Fitch was apprenticed at a young age to learn clock-making and he fulfilled his apprenticeship despite the fact that the clock maker only used John to work his farm fields and never taught him any of the skills of the clock-making trade. Fitch taught himself about clocks later by taking clocks apart to clean and repair them. He was taught a little about brass founding which he later used in a small successful business making and peddling buttons.

Fitch comes across in the histories as a cantankerous man who bickered his way through life. He was married just a year when he left his wife and newborn child because he couldn’t get along with his spouse. During the Revolutionary War, he tried to serve in various New Jersey militia units and was voted out of various officer positions by other people who took a dislike to him. He turned to surveying the lands west of the Appalachians after the war and was captured by Indians who sold Fitch and his companions as hostages to the British in Detroit. Along the way during the long enforced march to Detroit, he fought he fought with his fellow captives and later on with his captors. Eventually, he was released back in New York and returned to Pennsylvania where he had lived before his western adventures began.

None of this would suggest what came next. According to his own autobiography, Fitch and a friend were walking home after church one Sunday in the spring of 1785. Fitch was on foot because he had rented out his horse to help pay for the feed to keep the animal. Fitch was now in his forties and getting arthritic. His knee was hurting and they stopped for a moment to let him rest when a horse-drawn carriage whisked past them. According to Fitch, not having his horse he was suddenly struck with the idea of creating a horseless carriage. Not only that, and this is the part that I find hard to believe, he thought the power for this machine should come from steam. Why does this amaze me? Fitch had never even heard of a steam engine, let alone seen one. When he later described his idea to the minister, Fitch was chagrinned (his words) to have the minister show him a picture of a Newcomen steam engine in a book. At the time, there were only three steam engines in the whole of the United States and all of these engines were the large, stationary engines that were used to pump water.

Fitch went furiously about trying to work out the details of his horseless carriage idea for a few weeks. The details of what he came up with are missing but he apparently quickly came to the realization that the horseless carriage had bigger problems in terms of poor roads and other impediments to its success. Fitch did have direct experience with taking rafting boats down the Ohio River. These boats only made a one-way journey as it was just too difficult to row them back up the river against the current. They were broken up for timbers when they reached their destination. Fitch knew that a boat that could travel up-river easily would be of tremendous commercial value. Fitch also realized that it was not enough to come up with the idea. He had to have a way to protect it. He sought patent protection for the idea from state legislatures before there was a national patent law. He was locked in a furious battle with another independent inventor, James Rumsey, who also claimed to have invented the steamboat. For a fascinating account of all of this I would suggest you read Andrea Suttcliffe’s excellent book entitled Steam.


So how did it turn out? Badly. Fitch went on to actually create a working steamboat that operated for a year out of Philadelphia on the Delaware River but it was a financial loser and Fitch eventually gave up. He moved to Kentucky, turned to alcohol, and, legend has it, killed himself in despair in 1798. Not a happy ending to our story. Rumsey, by the way, also came to naught, dying in England of a stroke after an attempt to build a steamboat there.

So what to make of this story about Fitch? I find it amazing that Fitch could have conceived of a steam-powered horseless carriage when he had never in his life to that point seen or heard of a steam engine. That would be the equivalent of me thinking of using, I don’t know, an ion transmission de-rectifier (ficitious...I think?) to produce ethanol when I had never seen or heard of one. I think the story that Fitch told is an apocryphal one that he later invented for his own glory. Somewhere along the line, Fitch knew something about steam and harnessing it for power. He had heard of the concept or seen the power of steam in some other context. His trade work might have given him the insight. He was a brass founder and the melting and cooling of metal certainly involved water and quenching which produces steam. Being skeptical of his self-reported flash of insight may not be fair. He might truly have had just such a vision in which case, Fitch really was a genius. Fitch spent the rest of his life trying to realize his idea and he almost made it. The Delaware River was much slower flowing than the Hudson and there were decent enough roads by the river so that travelers had a viable alternative to his relatively slow steamboat.

Back to my original questions. Can we learn anything about creativity from Fitch? First, he was very bright and inquisitive. He described himself as a child as “crazy about learning”. He was tenacious. He was constantly looking for some way to make a buck. He could visualize a different future and he could also foresee the need for protection for his ideas. And his flash of insight first came as an answer to his own personal need. Fitch was too early. The technology wasn’t there yet, the patent laws weren’t yet in place. If Fitch had been born twenty years later, school children for generations might have learned that John Fitch, not Robert Fulton, invented the steamboat. So the last lesson is that ideas have their time and place. But hats off to John Fitch, American Inventor.

Friday, February 13, 2009

The Fire of Genius


The patent system... added the fuel of interest to the fire of genius, in the discovery and production of new and useful things.
Abraham Lincoln, Second Lecture on Discoveries and Inventions (Feb. 11, 1859)



This year, the focus of President’s Day falls especially brightly on Abraham Lincoln as we celebrate the 200th anniversary of his birth on February 12, 1809. By one reckoning, over 16,000 books have been written about him. Lincoln was indeed a great man and arguably our greatest president.

Great presidents are often defined by the challenges of their times. Theodore Roosevelt, himself a great president, was quoted as saying of Lincoln:

If there is not the war, you don't get the great general; if there is not a great occasion, you don't get a great statesman; if Lincoln had lived in a time of peace, no one would have known his name.


That may not do justice to Lincoln for clearly there is more than circumstances that define a great president. I think one of the defining characteristics is a deep intellectual curiosity coupled to an inclination towards practical action. Washington was a trained surveyor, a military leader, and a statesman. Jefferson was a true intellectual who read widely in virtually every field of knowledge. He loved novelty and invention and he was a man who was deeply engaged in the events of his day. Theodore Roosevelt was a writer and historian before he was President, but he also was a military commander, a cowboy, and an adventurer. Franklin Roosevelt invented many advances in the treatment of polio when he formed the Warm Springs Clinic in the 1920’s.

But back to Lincoln. He is the only President to hold a patent (Patent No. 6469 for the invention of a means to lift steamboats over shallow river snags). Lincoln was always curious about new technology. He studied virtually every new machine he came in contact with and was the first President to use the power of instant communications (the telegraph) to direct a military campaign. During the Civil War, he haunted the local telegraph office and eventually had a telegraph installed in the White House. U.S. News and World Report has an interesting article about Lincoln in the current issue that says that if Lincoln were alive today he would fight just as hard as Obama did to keep his Blackberry. The point is not that Lincoln or any other great president was a geek but rather that each had a wide and deep curiosity and intellect and embraced the new and the novel. They recognized the value of the “fire of genius”. That is surely part of what made them great. The advance of technology depends on our leaders as much as it does on great inventors and innovators.

Wednesday, January 9, 2008

The Origin of the Computer: Counting Noses


I was interested to learn that it was the U.S. Census that provided the compelling need for the development of the calculating machine, the predecessor of the computer. Herman Hollerith was a young engineer who went to work for the U.S. Census Bureau in 1880. He witnessed firsthand the long and tedious hand tabulation methods used on the 1880 Census data. It took the Census Bureau eight years to finish the tabulations! Hollerith saw the need but nothing came of it immediately.

Hollerith left the Census Bureau for a teaching position at MIT in 1882. He began looking at ways to encode information in punch marks on a continuous paper tape. The needle penetrating through the holes would complete an electric circuit and trigger an electric counter. But the paper tape had too many problems to be practical. On a train ride, Hollerith observed the conductor punching his train ticket. As Harold Ellis relates in They Made America:

The train ticket that Hollerith handed the conductor was also a form of identity card, called a punch photograph, which matched the presenter of the ticket with the purchaser. "The conductor punched out a description of the individual as 'light hair, dark eyes, large nose, etc.' said Hollerith, who then commented on his adaptation of this system to the census: "So you see, I only made a punch photograph of each person."


On January 8, 1889, he was issued U.S. Patent 395,782 , claim 2 of which reads:

The herein-described method of compiling statistics, which consists in recording separate statistical items pertaining to the individual by holes or combinations of holes punched in sheets of electrically non-conducting material, and bearing a specific relation to each other and to a standard, and then counting or tallying such statistical items separately or in combination by means of mechanical counters operated by electro-magnets the circuits through which are controlled by the perforated sheets, substantially as and for the purpose set forth.


Hollerith's invention intrigued the Census Bureau but it did not take it by storm. The Bureau arranged a trial between three competing systems on a limited set of data. Hollerith's machine trounced the other two contenders. The Census Bureau ordered multiple machines, machines that Hollerith had no factory to produce. He contracted his electric tabulators to Western Electric and his punch card machines to Pratt and Whitney. Where it had taken eight years to complete the 1880 Census, it took only one year to complete the tabulations for 1890, even though the population had grown by twenty-five percent.

You might have thought people would have been thrilled. Hollerith's tabulations showed that the United States in 1890 had 62,622,250 people. Some people felt that the numbers were much too low to represent the grand growth they saw everywhere around them. The New York Herald even ran a headline stating:

SLIPSHOD WORK HAS SPOILED THE CENSUS
MISMANAGEMENT THE RULE
Speed Everything, Accuracy Nothing!



Hollerith's calculations stood the test and the he was vindicated. Hollerith's invention found immediate acclaim and for the next 15 years it was used to tabulate census data not only in the U.S. but also in many other countries. But success was not to last. Hollerith charged exorbitant fees to census bureaus to lease his machines. The U.S. Census Bureau balked after the 1900 Census and invented a machine of their own. The competition soon surpassed his devices and his company languished.

In 1912, Hollerith sold the company to the Computer Tabulating Recording Company. This company was created from a variety of lackluster companies in the general field. It continued to languish until Thomas Watson, Sr. took over as the head of sales and marketing. Hollerith was still chief design consultant for the company, but he hated Watson. They hardly ever spoke. Hollerith finally left the company entirely in 1921. The company was renamed the International Business Machine Company (IBM) and the rest, as they say, is history.

Friday, November 16, 2007

The Mouse that Roared


On this date (November 17) in 1970, the first patent for a computer mouse was issued to Douglas Engelbart. Engelbart was working at SRI, heading a lab he called the Augmentation Research Center (ARC). The device he created was called a "mouse" because the cord that came out of the back of the device loked like the tail of that little critter.

Engelbart was (still is) a genius at seeing how computing can enhance thinking. He was an early developer of the ARPANET which was the precursor of the internet. Engelhart now runs a small organization called The Bootstrap Institute which is dedicated to taking on large-scale problems using collective intelligence enabled by computational tools.

When I was looking up Engelbart on Wikipedia, I was disturbed to read the following:

SRI's management, which disapproved of Engelbart's approach to running the center, placed the remains of ARC under the control of artificial intelligence researcher Bertram Raphael, who negotiated the transfer of the laboratory to a company called Tymshare... At Tymshare, Engelbart soon found himself marginalized and relegated to obscurity--operational concerns at Tymshare overrode Engelbart's desire to do further research.


This marginalization of the inventor by the business person happens so often. I have seen it in my own corporate experience. The history of technology overflows with similar stories. Why does this happen? Is it a clash of personalities? Ego? The Money?

I think part of the answer comes from the fundamentally different worldviews of the inventor and the business person. Inventors are divergent thinkers. They see the future in terms of exanding possibility. Many would not describe themselves as practical. They seek creation and successful creation is its own reward. Business is convergent. It seeks ever-increasing focus and discipline. Efficient production of a product to maximize profits is the goal. Invention (after the first one that gives birth to a product) is annoying. Inventors keep distracting the business person from their focus on the current product and maximizing sales and profits.

Most inventors I know (and have read about) are not good (translation: lousy) business people. They are just not wired for it. Edison was a great inventor and even started a lot of companies but he did not have the commercial relentlessness to focus on any of his ideas for that long. His goal was not the scaling-up of his companies but the next new creation.

The converse is also true: few business people could invent anything. They don't have that creative gene that sparks the inventor. They can think of new ways to grow their companies. They might even be superb marketers. But they are not inventors. Steve Jobs come to mind here. Jobs is a superb visionary of market trends and customer wants. And he is also renowned as a ruthless business person. Jobs saw the work of Engelbart and others from both SRI and XEROX Parc and recognized the value of the Graphical User Interface (GUI). He relentless drove this idea into the market with the first MacIntosh computer. But he could never have invented it.

In our culture, money speaks. Business feeds on invention. Invention that is not moved into the market may be clever, interesting, perhaps even mind-boggling. But it is not available for use and hence has limited value to society. Money is the measure of value so perhaps it is not surprising that business people are our current heroes. Jobs is a living legend. But Engelbart should be a household name, too. How many people know his name? Hail the inventors! Or, to hell with the inventors!

You decide.

[Image of Engelbart's mouse from Wikipedia]

Monday, November 5, 2007

George Selden and the Automobile


Yesterday, I wrote about the invention of the cash register. Today marks another important patent anniversary. On this date in 1895, George Selden was granted his patent on the automobile. This was to prove to be both highly lucrative and highly contested in the seminal automobile industry.

As a young man, Selden was more or less pushed into Yale Law School by his father, Judge Henry R. Selden. Young George did not do too well at the law, he was more interested in tinkering in his shop. But he did finish law school and actually practiced for awhile, even representing George Eastman's photography interests.

Selden was interested in the idea of an automobile, long before such a machine was practical. Many people were interested in this same concept. Working with some skilled mechanics, he developed a prototype and filed for a patent in May, 1879. He did not commercialize his automobile though. At that point in time, no one could build a practical automobile because there wasn't a light enough gasoline engine to power such a vehicle. Selden must not have been asleep during all of his law classes because he recognized that for the patent to have commercial value, it must issue just before automobiles started to be manufactured in quantity for commercial sale. Selden amended his patent claims four times, delaying its issuance for 16 years! When it finally did issue in 1895, the automobile industry was about to be born.

Selden licensed his patent rights to William C. Whitney who was proposing to build electric taxi cabs for the New York market. Whitney and Selden together formed the Association of Licensed Automobile Manufacturers (ALAM). They intended to extract an upfront payment and a 0.75% royalty on every automobile built in America. Most car manufacturers agreed to the terms rather than fight it in court. But a group headed by Henry Ford decided to fight ALAM. Ford and his group eventually won because the engine in Selden's patent was based on a type of gasoline engine using the Brayton Cycle and the engine actually used by commercial auto makers was based on the Otto Cycle. ALAM was defeated in appeals court in 1911 but not before ALAM had collected hundreds of thousands of dollars in royalties. The Selden patent was never declared to be invalid but it expired in 1912 shortly after the appeals court ruled in favor of Ford.

Did the Selden Patent (and the formation of ALAM) help the fledgling automobile industry? No, in fact it inhibited the industry. It was a classic example of extracting value from what was arguably not an invention at all. Many people had envisioned the coupling of engines with wagons to make a self-powered vehicle. It took a very strong man, Henry Ford, to stand up to ALAM and defeat what was essentially an attempt to control the early automobile industry.

Image from Wikipedia

Sunday, November 4, 2007

Where Do Inventions Come From?


On November 4, 1879, James Ritty of Dayton, Ohio received a patent for the "Ritty Incorruptible Cashier", the first cash register. Ritty ran a saloon in Dayton in which he billed himself as a "Dealer in Pure Whiskies, Fine Wines, and Cigars". Ritty's problem was that the hired help kept purloining the cash from the customers. Ritty needed a way to insure the money made it to the till. Except there wasn't any till, perhaps just a cash box. Recording transactions left a lot to be desired.

Ritty took a steamship to Europe in 1878. While aboard ship, he was shown a device that through the use of rotating disks could give a readout of the revolutionary speed of the propeller shaft. [This was most likely a modification of the planimeter which had been adapted to this purpose in about the same period]. When Ritty got home, he immediately set to work with his brother, John, who was a skilled craftsman to use the rotating disk idea to keep count of the money in each customer transaction. It took three prototypes to get it right but they finally did develop a successful machine. The first cash register had no cash drawer, just a clock-like dial [see picture above from the Smithsonian Instiution] and a bell to signal transactions. Ritty and his brother started a company to manufacture his invention but the going was slow and Ritty soon needed to spend his time on his saloon business. He sold the company to Jacob Eckert who formed the National Manufacturing Company. Eckert in turn sold the company in 1884 to John H. Patterson who changed the name to the National Cash Register Company. NCR, of course, exists to this day as a major player in the cash register and computer industry.

So my question: "Where do inventions come from?" Ritty seems to have invented nothing else in his life. Why would this seemingly common problem that every small businessman had to deal with stick with him in such a way that he would see a connection with the speed indicator of a ship's propeller shaft? What spark went off in his head that said he could convert the idea to a cash counter? Ritty didn't even have the technical skills to make his idea real. That was left to his brother.

Inventions are strange. The spark that creates an idea can be almost a mystical event, one that lies in the same realm as that of the great writer or composer. No one seems to be able to define where this spark of creativity comes from. But where would we be without it? Because of a propeller shaft speed indicator, the cash register...and later NCR...was born.

Tuesday, April 10, 2007

The Patent and the Pin

United States Patent Statute Signed Into Law: 1790

On this date in 1790, President George Washington signed into law the first U.S. Patent Statute. At the time, only 12 states had ratified the Constitution. Rhode Island in fact ratified the Constitution 49 days after the first patent law was created. The concept of a Patent Office would come later. For this first statute, anyone desiring a patent was required to submit their invention to the Secretary of State who would review it with the Secretary of War and the Attorney General. The first patents had a term of 14 years. The first patent was issued to Samuel Hopkins of Pittsford, VT on July 31, 1790 for a method of making potash. That first year, only three patents were granted. All of the original patent records were lost in a terrible fire in December of 1836 after approximately ten thousand patents had been issued. The (by then) U.S. Patent Office began numbering the patents all over again at No. 1. Today, over six million patents have been issued in the United States.

Links:

History of the United States Patent Office, Kenneth W. Dobyns, 1994

History of Patent Law, Wikipedia

Safety Pin Patented: 1849



On this date in 1849, Walter Hunt was granted a US Patent (No, 6,281) for the safety pin. According to the US Patent Office website, Hunt was a prolific inventor who in 1834 had built America's first sewing machine. He didn't patent it out of concern for putting hand sewers out of work (Hunt was a Quaker). No such concern would stop Elias Howe from patenting his own sewing machine some 20 years later. Expanding on the story of the safety pin, apparently Hunt owed his patent draftsman $15 and the college suggested that Hunt invent something to pay the debt. The result was the safety pin. He sold the rights to the draftsman for $400, a handsome sum but nothing like the invention's value. This was characteristic of Hunt who was one of the most prolific inventors of the era... but a lousy businessman.

Links:

The Safety Pin, Wikipedia

Birthdays:

1917: Robert Burns Woodward, 1965 Nobel Prize Winner in Chemistry for his work in organic synthesis. Woodward was admitted to MIT in the fall of 1933 and a year later asked to leave for "inattention to his formal studies". Fortunately for all, he was readmitted in the Fall of 1935, completing his bachelors degree in 1936 and his Ph.D in 1937.

Links:

Nobel Biography, Nobel Prize Website